{"id":58,"date":"2010-04-26T16:10:02","date_gmt":"2010-04-26T21:10:02","guid":{"rendered":"http:\/\/nashvillemusicianssurvivalmanual.com\/Blog\/?p=58"},"modified":"2010-08-25T22:23:49","modified_gmt":"2010-08-26T03:23:49","slug":"rhett-akins-and-band-rocks-the-rye-patch","status":"publish","type":"post","link":"https:\/\/nashvillemusicianssurvivalmanual.com\/Blog\/rhett-akins-and-band-rocks-the-rye-patch\/","title":{"rendered":"Rhett Akins and Band Rocks the Rye Patch"},"content":{"rendered":"<p>A light rain was falling as we drove our tour bus down the long dirt driveway leading into \u201cthe Clubhouse in Rye Patch\u201d, the concert venue in which we would be performing on this night. Buried deep in the woods of Ludowici, Georgia, the view out of the bus window was quite picturesque as we passed some horses in a field on one side, and a gazebo in the middle of a small pond on the other from which an inviting sign put forth the words \u201cpropose to get married here.\u201d After getting the bus parked, I directed some stagehands to load our gear into the performance area, an open sided breezeway complete with \u201cthat dirt floor charm\u201d and air that smelled of barroom pleasantries and rabbit poop. Randy Hauser, the other headliner, was scheduled to play after us, at 10 PM, and his band was in the middle of sound check as I scoped out the room. A couple of hours later, after Hauser&#8217;s boys had extensively checked the system, it was our turn to set up and sound check in this room now half full of people, and we proceeded to the stage. An hour or so later we retreated to the dining hall for a catered meal of pork, chicken, mac and cheese, steamed corn, and fried bread, which was followed by some showers in the bunk house.<\/p>\n<p>Sometime around 6 PM, the first of three opening acts took the stage and began the night with a pounding rendition of the rarity \u201cSweet Home Alabama\u201d, complete with double bass drum fills throughout. This over-the-top band of locals was an explosion of kinetic energy, and they proceeded to entertain the crowd with their hour plus set of cult classics. With the following two openers of this music marathon each playing close to an hour, the night was running behind, and it was just after 9:30, before we took the stage. By this point of the night, the place was wall-to-wall, and the audience of 1200 festive Southerners, ranging in age from infancy to 80, was now \u00a0spilling out into the courtyard. Our five piece group delivered a walloping performance, and the crowd reaction was magnanimous, one of our best receptions so far this year. During one point of the performance, a couple of kids hopped up onto the stage, singing and dancing along. This prompted a couple of \u201cyoung ladies\u201d to follow suit on the opposite side of this small and already overcrowded stage. The feisty ladies had difficulty showing restraint, and their dancing quickly evolved into more of a grinding-like motion. By the end of the song more people were trying to get on stage which prompted some \u201csecurity personnel\u201d to start grabbing folks and handing them off the back of the stage. In the middle of the next song another girl hopped onto the stage, however this time, one of the house sound engineers grabbed her bouncer-style and she was gone almost as quickly as she appeared. This prompted one of the \u201csecurity personnel\u201d to hop onto the stage and place himself strategically between me and Rhett, who was standing about 5 feet away. For this, he received an instant rejection notice from me, and he vanished quickly as well.<\/p>\n<p>We finished our 60 minute set to a roaring applause that didn&#8217;t subside until we climbed back on stage for an encore. Rhett strapped on an electric guitar and proceeded to play some licks before launching into Tom Petty&#8217;s \u201cLast Chance for Mary Jane\u201d. After a few verses, the song morphed into \u201cBreakdown\u201d followed by a few riffs of Led Zeppelin&#8217;s \u201cHeartbreaker\u201d and then into Pearl Jam&#8217;s \u201cAlive\u201d before returning the final dual lead guitar onslaught at the end of this carefully executed, fly by the seat of your pants style jam.<\/p>\n<p>Our performance now finished, we quickly began to strike our gear amidst a chaotic stage that was now being rushed by Randy Hauser&#8217;s crew. We loaded up our bus, and a short while later Randy Hauser and band took the stage as I began to chase down the promoter for the settlement. Hauser\u2019s performance was followed by the \u201cDaisy Duke\u201d contest, during which time another local band was setting up for the \u201cafter concert-show\u201d, a strange ritual held by many local bar owners across the land.<\/p>\n<p>A short while later and we were all back on the bus driving away, talking about the night amidst Rhett\u2019s impersonation of \u2018Damone\u2019 from \u201cFast Times at Ridgemont High\u201d. It was another fun weekend in the deep South and we were headed home.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A light rain was falling as we drove our tour bus down the long dirt driveway leading into \u201cthe Clubhouse in Rye Patch\u201d, the concert venue in which we would be performing on this night. Buried deep in the woods of Ludowici, Georgia, the view out of the bus window was quite picturesque as we [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[13,289,8,292,6],"_links":{"self":[{"href":"https:\/\/nashvillemusicianssurvivalmanual.com\/Blog\/wp-json\/wp\/v2\/posts\/58"}],"collection":[{"href":"https:\/\/nashvillemusicianssurvivalmanual.com\/Blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nashvillemusicianssurvivalmanual.com\/Blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nashvillemusicianssurvivalmanual.com\/Blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nashvillemusicianssurvivalmanual.com\/Blog\/wp-json\/wp\/v2\/comments?post=58"}],"version-history":[{"count":4,"href":"https:\/\/nashvillemusicianssurvivalmanual.com\/Blog\/wp-json\/wp\/v2\/posts\/58\/revisions"}],"predecessor-version":[{"id":440,"href":"https:\/\/nashvillemusicianssurvivalmanual.com\/Blog\/wp-json\/wp\/v2\/posts\/58\/revisions\/440"}],"wp:attachment":[{"href":"https:\/\/nashvillemusicianssurvivalmanual.com\/Blog\/wp-json\/wp\/v2\/media?parent=58"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nashvillemusicianssurvivalmanual.com\/Blog\/wp-json\/wp\/v2\/categories?post=58"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nashvillemusicianssurvivalmanual.com\/Blog\/wp-json\/wp\/v2\/tags?post=58"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}