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Nashville is overflowing with musicians, songwriters, artists, producers, and just about every type of aspiring music entrepreneur imaginable. Unfortunately, this massive talent pool also attracts a fair share of scammers and fakes, many who actively seek out the unsuspecting, attempting to extract as much money as possible in exchange for their less than honorable services. Many will claim to have extensive industry contacts, often boasting a long list of seemingly impressive professional credits. The best sharks will come off as being genuinely interested in you, your music, and your potential, often stating that they have all the connections needed to evolve your career quickly and efficiently. They may not even ask for money on the first several encounters or phone calls. Some of these shady characters could be unsuspecting patrons circulating the local nightclubs, while others advertise their illegitimate operations on the Internet. Although most of these scammers are primarily interested in your money, some might be interested in sex, companionship, or other favors, and will work towards these ends through a series of music career related manipulations that initially, on the surface, might seem to have your best interests at heart.
To avoid getting ripped off, here are some things to be on the lookout for:
Shady Internet ads:
- Lack of a real domain website. Most, but not all, legitimate businesses have a real domain website, for example www.cornermusic.com. Be wary of companies that don’t. If a company only has a MySpace page, or a freebie site (if you scroll down to the bottom of the home page it might say something like “free site by Go Daddy”) that usually implies they are on a low budget. Granted some companies may be just getting started, but if you expect them to have the resources to make a difference in your career, it is only logical to expect them to have enough of a budget for their own advertising.
- Requiring payment for an initial consultation. In this day and age, literally any legitimate business will offer at least one free consultation. If an individual or company is truly interested in helping further your career, they should be willing to at least have an initial conversation with you (if not several) free of charge.
- Lack of contact info. If you find a music business-related advertisement on the Internet and it doesn’t have a business address or phone number, that’s usually not a good sign. Most honest businesses are easily accessible.
E-mail solicitation:
- How an e-mail is worded. If you get an e-mail from somebody stating they are interested in you as an artist, or your music, pay close attention to the wording. Realize that much of your information is easily available to strangers on the Internet (especially if you have a MySpace or Facebook page) and it’s not hard for spammers to inject some personal information to their message. Read between the lines. Are they speaking about your music in general terms, using descriptions that could apply to any song, or is it obvious they’ve researched beyond that.
- Lack of a domain e-mail. As noted above, most legitimate businesses will have a real website, usually accompanied with an e-mail address that has the same domain. Be wary of e-mail solicitors whose addresses end with generic e-mail hosts like @gmail.com or @yahoo.com. Once again this is not always the case, but this can be a flag.
- Solicitation of songs for a compilation CD. If you get an e-mail or MySpace message from some organization claiming they want to put your music on a compilation CD, for a fee of course, delete the e-mail. You should never have to pay to have your music placed anywhere. A legitimate organization will pay you for the use of your songs.
In-person solicitation:
- Fast talkers. When you are performing in a nightclub or other music venue, whether it be a full performance with a band or just a quick sit-in, you have inadvertently opened the door to any scammers that might be present. While some legitimate entities may be interested in talking with you, be wary of the ones that begin making big promises early on in the conversation. If they seem like they might be legit, don’t be afraid to ask questions about their business and background.
- Read between the lines. Often, a person’s body language, and how they say something can be just as revealing as the content they put forth in a conversation. If they avoid eye contact, seem nervous, or lack focus when you are speaking, that could mean they’re less than honorable. Of course it could also mean that they are simply shy, and that you are boring them to tears. Try to be as objective as you can.
- Learn how to research. If you meet someone in public that shows an interest in helping your career, ask for a business card, or jot down their name and contact info if they don’t have one. Visit their website and review their info. Perform a Google search and read up on as much background information as possible. If they are a plausible entity, it should quickly become obvious. If you can’t find any information about them at all, that should be a flag. This also applies to companies that contact you through the Internet and e-mail solicitations as well.
- If it sounds too good to be true, it probably is. There are more musicians and artists trying to get ahead then there are opportunities or work for them. In reality, as the supply far outweighs the demand, our services aren’t really essential to society. So when somebody says “You’ve got what it takes to be a star, and I want to help make it happen for you.” There’s a good chance this is BS. Never lose sight of the fact that no one will ever care as much about your music and your career as you will.
Whether you realize it or not, when you signed on for a career as a musician or artist, you became a salesperson. You are trying to sell your songs, your craft, and ultimately yourself. Depending on your goals, you might need some help along the way, and some of this help will cost money. Ultimately, the key to avoid getting ripped off is a combination of common sense and research. Thoroughly research any and all individuals and companies before you fork over your hard earned cash, and especially before you ever sign anything. If you’re still unsure after your research efforts are exhausted, ask for references and don’t be afraid to call them. And if you’re still not sure, always refer to rule number one – “If it smells like BS, it’s probably BS!”
As a guitarist, having good control of vibrato has been a key component in my ability to effectively communicate through my 
instrument. For many music purists, the use of vibrato has been widely debated, as so many artists and performers have used it with such a wide variance of efficiency and taste. There is the rapid fire, “billy goat” style vibrato as used by singers like Joan Baez and Eddie Vetter, the emotive, stinging vibrato used by guitarists like Jimi Hendrix and Buddy Guy, and the stark, subtle almost non-vibrato of Miles Davis. All these styles, and others, have their place, but some approaches, arguably, may be more effective than others.
When I was first learning how to play guitar, it took all of my ability to simply play notes and chords cleanly, I wasn’t even aware of what vibrato was. A few years later, as I progressed, I gradually began to learn about the concept of vibrato from other guitarists. But my early development, similar to that of many guitarists, led to a quest for speed, rather than emotional content. When you are playing fast all the time, there is little time for vibrato as you never land on one note long enough to apply it. Fortunately, my early possession by a speed demon eventually came to an end, and a stronger, more pronounced sense of vibrato gradually became inherent to my playing.
What is vibrato? Here is a definition from the website answers.com:
“Vibrato is a musical effect consisting of a regular pulsating change of pitch. It is used to add expression to vocal and instrumental music. Vibrato can be characterized by the amount of pitch variation (“depth of vibrato”) and speed with which the pitch is varied (“speed of vibrato”).”
It goes on to say:
“The use of vibrato is intended to add warmth to a note. In the case of many string instruments the sound emitted is strongly directional, particularly at high frequencies, and the slight variations in pitch typical of vibrato playing can cause large changes in the directional patterns of the radiated sound. This can add a shimmer to the sound; with a well-made instrument it may also help a solo player to be heard more clearly when playing with a large orchestra. This directional effect is intended to interact with the room acoustics to add interest to the sound, in much the same way as an acoustic guitarist may swing the box around on a final sustain, or the rotating baffle of a Leslie speaker will spin the sound around the room.”
This brings up my first point, the battle to be heard. Although they are using classical music in the context of an orchestra, I believe the concept is universal. If you’re performing with a live amplified band, whether singing a lead vocal, playing a signature lick on a violin, or wailing a guitar solo, there is usually an effort required to make those notes audible and impactive above the roar of the band. Think of the total sound made by the band as one giant wall of sound. The lead melody, in most situations, is simply a group of chord tones and passing tones that fit into that wall of sound. A good strong melody in and of itself usually contains enough motion to create a contrast against the wall of sound, but when the melody sustains on a note, it begins to blend in. Using vibrato on those sustaining notes and at the end of phrases can create additional movement and allow the note to have a greater contrast against the otherwise static wall of sound upon which it sits.
Leopold Mozart, father of the famous composer Wolfgang Amadeus Mozart, wrote a textbook for violin instruction, Versuch einer gründlichen Violinschule which was published in 1756. In it he writes “there are performers who tremble consistently on each note as if they had the permanent fever. ” Although he ultimately condemned the practice, he does go on to suggest that vibrato should only be used on sustained notes and at the end of phrases.
This is where the line between preference and taste becomes greatly blurred. Many successful artists use an excessive amount of vibrato, such as the previously mentioned vocalists, and this creates the trembling effect as noted by Mozart. And while this does not prevent these artists from having successful careers, this kind of “billy goat” style vibrato is often the result of a less than stellar technique. The lead melody was already designed to sit on top of the mix, containing enough inner motion to do so without constant vibrato. By singing with a constant vibrato, it’s like putting extra notes in where they weren’t intended. Some musicians and singers create these habits early on and simply choose to stick with what works for them.
Now take this to the other extreme. Listen to, or envision the sound of a great David Gilmour guitar solo. The fast passages are 
played cleanly with no vibrato, but then at the end of the phrase, he might just sit on the last note for a few seconds before slowly and incrementally adding some substantial vibrato, usually at a speed that is a subdivision of the songs tempo. A lot of great blues and jazz musicians also employed this technique as well as vocalists like Etta James, Ray Charles, Frank Sinatra, and Paul Rogers.
This concept radiates my other point, our need to express. Music is simply communication. As a musician we are trying to convey or communicate stories, concepts, ideals, and emotions. Vibrato is simply one of the tools on our palate. So are dynamics, volume, speed, phrasings, etc. If you play constant 16th notes in your solos or drum fills, there is no contrast, the passages will be static and predictable. Insert some slower phrases within the fast flurries and the slow passages will create a contrast, ultimately giving more meaning to the 16th notes. I believe the same is true for vibrato. Use it constantly, and there is no contrast. Use it where it is most needed and most effective, and it will only serve to enhance your overall expressiveness.
From an electric guitarists standpoint, I like to use vibrato not only to create drama within a lead line, but also to help coax more sustain out of a note, and at times to induce controlled feedback. I’ve also adopted the technique of adding vibrato to the end of a bent note, a trick I learned from listening to recordings of guitarists like Jimi Hendrix and SRV. Of course, some would argue that true vibrato must come from a feeling, not a thought
This is all highly subjective and to be taken in stride. Explore the endless possibilities of vibrato but don’t overthink it, it should feel natural. Like one of my great instructors at Berklee once said “Practice your technique at home. But when you get to the gig, just play.”
It was just after 1 PM on Saturday, May 29 as we pulled into the Fast Lane minimart in Huntsville, Tennessee. The parking lot of this fine establishment would be our home base for the day 
as this was the closest our tour bus could safely get to the mountaintop concert site. The event we were playing on this hot and humid Memorial Day weekend was “The White Knuckle Event” at Brimstone Recreation, an annual ATV convention on which thousands converged from all over the country, some even traveling from as far as Canada.
Shortly after our arrival, the event coordinator arrived with a fleet of four-wheel drive pickup trucks, our gear hauling and runner service for the day. Some local fellows helped load the gear into the back of the trucks, and we hopped in to make the 5 mile, 30 minute ride to the top of the mountain. The first couple of miles of this trek 
was quite scenic, winding through a maze of fields and rolling hills spotted with picturesque homes and cabins. After about 10 minutes of driving, the pavement ended and we proceeded up some steeper inclines as the road turned to dirt and gravel. We we’re now going up the mountain, and the old logging road on which we were traveling was a flurry of activity, with a steady stream of four wheelers and other off-road vehicles coming and going in every direction. The air was thick with dirt and dust kicked up from all the ATV’s as we passed a couple of campsites along the way.
A little while later (it seemed like an hour) we reached the summit and a spectacular panoramic view of the mountain range came into focus. We backed up the pickups to the stage and commenced our load in and sound check. The stunning view off the back of the 
stage was that of several other peaks, jettisoning up across the horizon under some billowing clouds that seemed to stretch on for as far as the eye could see. The contrasting view off the front of the stage was that of a sea of four wheelers dotting the hilltop amidst several vendor tents, all viewed through a thick haze of freshly kicked up mountain dust.
By four o’clock we had finished sound check and strapped in for the bouncy ride back to the bus. Chilling on the bus for a little bit, we dug into the event provided meal of country ham, green beans, steamed corn, and hot rolls. As this was the only store around for miles, the parking lot was a flurry of activity, providing varying degrees of amusement which could be viewed through our tinted bus windows. 
At one point a truck pulled up towing a trailer upon which a four wheeler containing several young family members sat. A little while later, one bright fellow took off on a dirt bike with his toddler sitting on the handlebars. It was a regular ATV Woodstock, and after dinner and some showers we hopped back into the pickups for another bouncy ride up to the peak as it was getting near showtime.
Now nearing dusk, we were in amazement upon reaching the concert site when the view of 10,000 concertgoers sitting on thousands of ATVs came into sight. We hit the stage running, and the powerful PA system filled the night air with the sounds of Rhett Akins music. We began the show with our appropriate onslaught of ‘Down South’ and ‘I Brake for Brunettes’ and the crowd was instantly on our 
side. After a few more tunes, Rhett introduced me as the bands only Yankee and encouraged me to play some southern slide guitar. This led to our rendition of ‘Curtis Lowe’ which was followed a little while later by some hunting songs from his new CD like ‘My Baby Looks Good in Camouflage’ , ‘Duck Blind’ and ‘Hung Up’.
We finished the show to a massive ovation which brought us back for a brief encore. Just before we began our short second round I was informed that one of the patrons wanted to propose to his fiancée on stage. A minute later, an excited young fellow stood on stage in front of the masses and told his girl he loved her and wanted to marry her. Teary-eyed, the girl made her way to the stage to meet her love, at which point he gave her a ring. Everybody got all mushy at this point as we played Rhett’s hit ‘She Said Yes’.
Our mountain top adventure complete, we loaded up our gear, road back down the mountain, and hit the road.
With each day bringing horrific new insight and ever more uncertainty regarding the oil spill in the Gulf, it’s now more important than ever to become educated and aware about the world we live in. With that in mind, my wife Kelly and I have decided to start our own news blog site, The Normand Post. This forum which will exist to explore the problems facing humanity and all of the planetary systems, and start an open-ended dialogue to help create solutions.
In the meantime, I will continue my efforts to document the Tennessee flood, writing blogs and articles for my own site, and other websites as well.
One recent news story in Nashville, examined the temporary dumping station at Edwin Warner park for the massive amount of storm debris being collected around middle Tennessee. Every day a fleet of trucks makes rounds collecting piles of house debris, appliances, drywall, just about anything you can think of, and bring it to this temporary holding station where it is then trucked off to landfills throughout the state. I decided to take a drive by there today to see it firsthand. The debris is piled as high as the trees, on an area the size of a football field, and is a quite disheartening sight to see alongside some kids playing a game of soccer. Yesterday, when I went to the local dump near my house in Cheatham County, I noticed three large dump trucks dumping there, obviously part of this debris removal. What I found disturbing, was the mile-long trail of dirt leaving the dump in either direction, obviously spill off of what must be a now constant parade of trucks now dumping here from all over. More on that later.
I’ve also uploaded a new slideshow containing most of the flood and aftermath photos I have taken, with captions.
It’s been a busy week, and there have been many new developments I would like to share. On Monday, MSNBC posted an article I wrote about the flood on one of their websites, The Maddow Blog. My new contact at that website is urging me to continue reporting on the disaster, and submitting more articles. In the days since then, I’ve been conducting more research and compiling data for future writings.
I’ve also refocused my efforts toward completing my book. Right now my manuscript for “The Nashville Musicians Survival Guide” is sitting as one massive word document on my computer. As I have been away from the project for about a month, I have decided to turn it into a PDF and print out a couple of unformatted hard copies. I plan to read it cover to cover over the next couple of weeks to better assess where I’m at. I’ll also probably give a copy to a couple of my music industry friends to get some objective opinions. I’m pretty excited to have a copy, even a crude first draft, in my hand.
It’s been a pretty good week for musical activities as well. Earlier in the week I tracked a live drum session in my studio for a songwriter project I’ve been working on. I also spent some time recording guitar tracks and doing some finished mixing of the material. Last night I played with my classic rock and blues band, “The West End Rhythm Kings” at Cancun in Bellevue, and it was tons of fun, some much-needed music for the soul.
There’s also been one other exciting development this week. In my flood research for the Maddow Blog, I came across the website, climateprogress.org. I e-mailed the site’s editor, Dr. Joseph Romm, with some thoughts and questions about the Tennessee flood, as I have been wanting to talk to a climate expert ever since our extreme rain event. The result was some dialogue in which he encouraged me to submit a report on the disaster to post on his site, which just happens to be the biggest climate related website in the world. The article I submitted was a rewrite of one of my blogs from two weeks ago, with updated information, and a link to a photo slideshow that Kelly helped put together. In the coming weeks, I will be conducting more research to submit a series of articles to MSNBC and the Climate Progress website.
Not bad for a guitar player from New Hampshire.
For everyone that lived through the Tennessee flood of 2010, the flood is still here. While the water has receded from most areas, in general, the state is still a mess. Every day I continue to hear new stories about people and families affected by the flood, and some have still not received any help. In the absence of any real national media coverage, I have been making my own attempts to help this disaster gain further attention, and yesterday I may have caught a good break when the Rachel Maddow show on MSNBC put my reporting and pictures on their website.
Last week I submitted some op-ed pieces to the nation’s largest newspapers, and yesterday, I’m not sure if this is a coincidence or not, the Washington Post published an article that draws on some of the points from my letter. I also believe the fact I was able to have some of my writings and pictures posted on the MSNBC website is significant. I have been writing about this disaster since it began, and by steadily chipping away at it, I now have a contact with somebody at MSNBC who wants to help the story gain attention. I plan to continue my efforts to help inform the rest of the world of our plight in the weeks to come, and I urge everyone to do the same. I think it’s extremely important that the message is put forth that the state of Tennessee, not just Nashville, has been devastated by this flood.
Please follow this link to my report on the MSNBC website and leave a comment under it. This will increase the likelihood that Rachel will discuss this disaster on one of her upcoming shows.
This photo was taken on May 18th on Highway 70 in Bellevue, Tennessee.
If you’ve been following my blog over the past week and a half, I’m sure you’re aware of what’s happened here in Tennessee. While I consider myself extremely lucky to not have lost anything in this flood, the experience of it all has, nevertheless, been exhausting. Being trapped in our home without power for three days, seeing the raging waters come within a half-mile of my home, watching the totality of this horrifying event on the local news in the days afterwards, and then observing the devastation in my community firsthand. And I have it easy. Some of my friends have lost all their musical equipment that was being stored at the Soundcheck rehearsal facility. For others across the state of Tennessee, losses go well beyond musical equipment.
Even though my family, home, or possessions are intact, being on the cusp of a disaster of this magnitude will inevitably change a person in some ways. We had several days of sunshine, thankfully, in the days immediately after the rain stopped. But then, rain was forecast for the weekend. Even though it was only predicted to be an inch or so, the thought of any rain at all, is now disturbing. I have awoken a few times in the middle of the night to visions of the brown murky floodwaters. You can’t drive very far in middle Tennessee without seeing flood damaged buildings, roads, and other ominous reminders. It’s been difficult to focus on many daily routines and tasks, but I am fighting my way back, and it is slowly getting better.
The main goal of this blog, initially, was to focus on the music business and other music related topics, as I am a musician by trade. But it’s been a battle to get my mind out of the storm, back to the business of music, and back to my nearly completed book project “The Nashville Musician’s Survival Guide”. It now seems so ironic that my book is about what it takes for a musician to survive the music business of Nashville, and now Nashville itself is faced with a plight for its own survival.
I will say that writing this blog over the past week and a half has been therapeutic for me. Kind of my own rebuilding process. I’m still thoroughly disappointed in the national media, and feel like we’ve been robbed. First we were raped and pillaged by the storm itself, and then to add insult to injury, ignored by the national media, as if our dire situation was insignificant. In the absence of a media based on real, Edward R. Murrow style journalism, I think it is now extremely important for all concerned citizens to help spread pertinent news stories that aren’t getting told. I have submitted my article “We Are Tennessee; Surviving the Flood of 2010” to several local and national print publications in an attempt for this story to gain further attention. And I will continue to write a few more blogs about our situation, as the struggle for Tennessee to rebuild will go on long after this story fades from the news.
In the days and weeks to come, I will also be working towards getting my head back into music, as well as tackling the seemingly impossible task of completing a book that is 95% done (it feels like the last 5% will drag on longer than the health care debate did). I will finish this book, as I feel compelled to do so, and know it will help many musicians. Of course, I will now have to add one more chapter about flood survival. In the meantime, I will continue working on getting back to normal.
The news of this disaster is getting out there. Volunteers are arriving from all over the country to help rebuild our communities, and we are truly grateful for this outpouring of goodwill. To help rally more support for the relief effort, I have rewritten my blog from last Wednesday, “We Are Tennessee”. This version paints a more total picture of the flood event and how the emergency response and recovery efforts have been handled so far. I realize it’s a bit long for a blog, but it’s a big story. Please help continue to spread the word. Peace
The rain began falling on the morning of Saturday, May 1st, 2010, and by the time it finished, just under 48 hours later; it had dumped between 12 and 20 inches across Middle and Western Tennessee, rendering 52 of Tennessee’s 95 counties disaster areas. Rivers that normally spanned 100 feet across swelled to widths of a half-mile or more, flooding cities, towns, and roadways, washing away homes and bridges, destroying businesses and infrastructure, and leaving thousands homeless. People died in their cars while trapped on flooding interstates and thousands more were stranded in remote communities without power or communication for days. Water plants were decimated, the Grand Ole’ Opry and many other historic buildings and 
icons damaged or destroyed, and more than $1 billion of damage had been sustained in Nashville alone. And where was our national media in all of this?
It’s now more than a week after this catastrophe began, and I’m still having a hard time grasping the totality of what has happened here. Each new conversation with family members and friends back in my native New England leaves me dumbfounded as to how little they’ve heard about this epic 1000-year flood, many first hearing about it from my phone calls and e-mails. Even a friend that I spoke with in eastern Tennessee was completely unaware that the western half of the state had just experienced what is likely to be the costliest non-hurricane water related disaster in American history. During the flood, and in the days that followed, mainstream news stations like CNN, MSNBC, and Fox, provided minimal coverage of this disaster, dwarfed by the Gulf oil spill, and the New York City car bomber. While those stories are certainly important, an event of this magnitude surely warrants more than just a sentence or two in the national spotlight.
Maybe there’s another reason the media paid so little attention, that being the efficient manner in which this disaster was handled. This disaster, which caused evacuations, power outages, and gridlock all over the state, was not accompanied by looting or other kinds of chaos that might otherwise have drawn the media in. The storm came quickly and without warning, decimating communities and infrastructure statewide, and all levels of government combined with an army of volunteers quickly began to mobilize.
“The President was on the phone to me before the sun came up practically on Monday morning” stated Governor Bredesen. “Slightly after
it came up, other people from the White House had called and checked in. I’m very, very pleased with the response we’ve gotten from the administration.” he continued. FEMA administrator Craig Fugate, along with Bredesen and Nashville Mayor Karl Dean, toured flooded areas later in the day. By Tuesday several counties had been declared federal disaster areas, which began to allocate necessary funding for the relief effort. Approximately 80 members of the Tennessee National Guard, manning 19 light to medium tactical vehicles engaged in water rescues and evacuations. The Red Cross was here helping organize relief efforts early on as well. Citizens interacted with local media to help present 24 hour news coverage during the event, as local Nashville and Memphis television stations received 40,000 photos and videos from viewers in the first 48 hours.
In the center of this immediate and massive effort were the people of Tennessee, with thousands of volunteers engaging from the onset, working as one unified collective with the various government agencies. From the very beginning of this disaster, a spirit of goodwill was evident.
One of my neighbors informed me that on Sunday, day two of the flood, the Publix in Bellevue used generator power to open the store, despite the electricity being down in that area. In 
addition to making food, water, and ice available, they also set up a long line of tables on which power strips were placed for local residents to charge cell phones. During the flood event, thousands of volunteers responded to different newscast announcements, showing up at multiple locations to help fill sandbags, assist with boat rescues, as well as a variety of other relief efforts. Community centers and churches across the state became havens for families who lost homes. Schools became water distribution centers. A local construction company owner who was being interviewed on the news said that he already began fixing the roads in his area, as the county road crews were overwhelmed. When officials announced the need to conserve water, water usage almost immediately decreased.
Wednesday, just four days after the flood began, marked the beginning of a three-day flood relief telethon in which many volunteers, including Titans head coach Jeff Fisher and several country music stars, came together to man the phones and help raise money for flood relief. Taylor Swift donated $500,000, with Vince Gill and several others making large donations as well. Benefit concerts are being announced daily. Nashville Mayor Dean announced that the demand for volunteers was going to steadily increase in the weeks and months to 
come, and people are responding.
This tragic event of epic proportions is the worst disaster to hit the state of Tennessee since the Civil War, yet our communities are working together. Under the exemplary leadership of Governor Bredesen, combined with the full cooperation of a wide range of local, state, and federal government agencies, the people, the ordinary citizens of this great state are having a huge impact. Neighbors are helping neighbors, people are donating and volunteering, and this event has helped create a sense of unity that is truly magical.
We are not begging the world for help, but to rebuild the communities across this state now shattered by this catastrophe, further assistance will be necessary. Thousands of the homes that were damaged or destroyed were in areas not in flood zones, leaving many homeowners with mortgages on homes that no longer exist, and without insurance money to rebuild. The same is true for many business owners as well. Many schools, hospitals, nursing homes, water treatment facilities, roads, bridges, rail systems, and other infrastructure 
have been damaged or destroyed over an area that spans thousands of square miles. This kind of damage can’t be repaired with just volunteer organizations alone, it’s going to cost billions of dollars and the money has to come from somewhere. In addition to losing their homes and all their possessions, thousands of Tennesseans have also lost their jobs and livelihoods, and this will inevitably put further strain on already stressed entitlement programs. This event has affected over half the counties in the state of Tennessee, not just the city of Nashville as the national media has implied, and it is this message that should be put forth.
Perhaps some good can come out of this catastrophe. This disaster has not just brought us closer together as a community, it stands to be a model of how our government can, and should work. A reminder of why government exists in the first place. With so many mounting problems in America today, it is encouraging that our leaders acted so quickly in this moment of despair, and the spirit of community and compassion this event has ignited should be a reminder of all that is good about America, and what we can do when we put our minds together.
So while the people of Tennessee are rebuilding, most of the nation has yet to learn of our predicament and it is unlikely that most will ever know the full extent of what has happened. We will 
survive, rebuild, and emerge from this wreckage, but as this news has been slow to reach the masses, I urge you all to help spread the word. Natural disasters on this level affect everybody as we are all interconnected. After Katrina, thousands of hurricane refugees relocated to neighboring states, Tennessee among them, and this flood event will inevitably have its own unique set of social and economic impacts that will be far-reaching as well. For many that lived through it, it’s possibly the single most important event of our lifetimes, its significance monumental. In the difficult weeks and months ahead, the people of Tennessee will continue to live, work, and reach out to those in need, because we are all in this together. We are Tennessee, and we are America.
If you need flood relief assistance or would like to volunteer or make donations, please visit the following websites:
Tennessee Emergency Management – www.tnema.org
Middle Tennessee Red Cross Chapters – www.nashvilleredcross.org
Hands on Nashville – www.hon.org
You can also dial 211 for volunteer opportunities if you live in Middle Tennessee
Yesterday, my wife and I took a drive to Percy Warner Park, one of our favorite spots in middle Tennessee. The Warner Parks are over 3000 acres of exceptionally maintained nature reserves, with a nature center, miles of hiking trails, playgrounds, and picnic areas. Unfortunately, neither the Percy Warner Park nor the adjacent Edwin Warner Park escaped the wrath of 
this terrible flood.
As we drove into the Highway 100 entrance, the first thing we noticed was the road to the main parking lot was blocked. We were encouraged to see 20 or so cars parked alongside the entrance road, and several families picnicking in the immediate area, attempting to return to some kind of normalcy after such a horrific week. Upon walking past the barrier and down the main entrance road, we noticed caution tape around the playground which had been damaged by the waters. A little further down the paved road, we came to the open sided shed at the beginning of the trailhead, upon which a sign had been placed notifying us that the hiking trails are now closed due to dangerous conditions. A few feet beyond the shed we could see large sections of trail washed away leaving a twisted maze of root structures now 
exposed. A little ways up one of the paved roads we saw damaged trees, a few random piles of sticks and twigs, and gullys carved by rushing water along the sides of the road.
We couldn’t help but feel a little bit selfish in our newfound sadness. As so many families and individuals lost homes, businesses, and even loved ones, our thoughts of remorse over damaged hiking trails and playgrounds seems insignificant. But the Percy Warner Parks, like many parks throughout the state, represent a certain faction of daily life for many in middle Tennessee, and their preservation is a part of our heritage, so it was still painful to see the destruction. I know the parks will be fixed in time, but I’m sure their priority is lower, understandably, than the dire need to rebuild lives, homes, businesses, infrastructure, and communities across the state.
On a brighter note, the Steeplechase was held in the equestrian center area of the park this past Saturday, and thousands turned out for this annual event. While some have criticized the event for still moving forward, stating people shouldn’t be out having fun 
when so much cleanup is still needed, these critics were obviously unaware that the proceeds of this years steeplechase were being donated to relief efforts. It also helped many to begin to feel a little normal again.
The funny thing is, that the park, in reality, is fine. The trees are still growing, the streams are still flowing, and the birds are still singing, and they will continue doing so. It is our access that has been cut off. In the meantime, there are still some areas of the park that can be enjoyed, and I suppose we should at least be thankful for that. It was still a sad day at the park.
To see some more photos of park damage, follow this link to where another Tennessean has posted a photo journal of what he saw shortly after the flood.
It’s now Sunday, eight days into this new world of a waterlogged state of Tennessee. And although the Gulf oil spill is still the lead story in the national media, about to decimate ecosystems and local fishing industries across the Gulf, I just read an article that suggested the floodwaters in Tennessee could impact the Gulf fishing industry as well. Local fishermen in Gulf communities are fearing that as the floodwaters from the Cumberland River empty into the Mississippi River, the inherent rushing waters will push a large portion of fish into the oil. So far, most of my writings about this disaster, as well as the writings of others, has been about the effect that this flood has had on the people of Tennessee including the loss of life, the destruction of homes, businesses, and infrastructure. But what kind of effect will the flood have on nature, ecosystems, wildlife, and the environment at large? Only time will tell. 
In the meantime, we will continue cleaning up, rebuilding, and moving ahead. I urge you all to help continue spreading the news of this disaster, as the minimal national media coverage we have received, will likely fade in the weeks to come.
If you would like to learn more about what is happening here, there are a series of well written articles that can be found at www.huffingtonpost.com/tag/tennessee-flooding. A telling photo journal can be viewed at www.boston.com/bigpicture/2010/05/flooding_in_tennessee.html. And the following YouTube video also sends a strong message www.youtube.com/watch?v=pFjaQoOdJvI
