Guitarist, singer, songwriter, producer and session-musician, Jack Pearson shared some unique perspective about his musical journey with a room full of Berklee alumni and others from the Nashville music community last Tuesday. The Nashville Berklee Jam, held monthly at the Fillin’ Station in Kingston Springs, saw some new faces and old friends on this special night, and Jack’s decades of experience as a world-class musician provided a rare peek behind the curtain for all those in attendance.
Jack’s musical career began in the mid 1970’s, when he played in multiple bands and logged his first recording session at age 16. In 1993 the Nashville native began his relationship with The Allman Brothers Band as a sub for Dickey Betts, eventually becoming a member of the ABB from 1997-1999 and also touring with Gregg Allman & Friends. Over the years he’s also worked with Vince Gill, Delbert McClinton, Jimmy Buffett, Earl Scruggs, Bobby “Blue” Bland, Amy Grant, Faith Hill, Gov’t Mule, Buddy DeFranco, and countless others.
Jack began his part of this night by playing some beautiful sketches of “I Can’t Get Started”, and for those who have never heard him play, his ability to transport an audience through time and space with nothing other than an unaccompanied electric guitar became quickly apparent. Following the spontaneous applause, Jack cut straight to some Q & A. One of the first questions asked was about his guitar, and I found it interesting that the deep, rich tone coming out of our backline Fender Deluxe originated from a Fender “Squire” Stratocaster, which he had recently bought for $100 at a pawn shop. Plugged into nothing other than a lone tube screamer, this drove home the point that great tone comes from within.
Learning from his oldest brother, Jack was exposed to rockabilly and blues as a teenager and explored the music of Chuck Berry, The Ventures, and Carl Perkins at a young age before eventually discovering jazz greats like, Wes Montgomery, Django Reinhardt, and Charlie Christian. Learning from friends, other musicians, and records, he slowly pieced together his musical vocabulary. He shared some thoughts on how to approach a II-V turnaround, demonstrating some different voicings and melodic approaches, underscoring the importance of putting song and melody above the technical understanding of modes and scales.
“It takes a lot of experimenting… a lot of guys come to me that get out of school and they say, “when I hear this chord I’m supposed to play this mode and scale”, and it locks them up. They can’t make any melodies because they’re told to play a mode or a scale.”
This simple, but prophetic thought resonated, and I had flashes to a time in my life when I over analyzed the music I played. Jack drove this point home with “…it comes down to the chord and the melody and where it’s going to…”
He went on to talk about the blending of styles and how he went through different periods of his life where he would be deeply immersed in a singular style for a few years – Delta blues, jazz, etc., and that after a while, all these different styles started coming together. Not afraid to take some chances musically, he demonstrated how he might go from a Howlin’ Wolf lick to a Charlie Parker lick within the same phrase, and that while some players will say this is wrong, he believes that “the main thing is to get the music out, and play with feeling.”
In response to a question about some of his best and worst gigs, Jack said that some of the worst gigs are when people don’t listen, and the music that you play with somebody is more important than the venue, or how famous somebody is.
He explained how learning all of the Allman Brothers songs as a kid helped put him in the position to sub for Dickey Betts on an early 90s Allman Brothers tour, which led to some recording with Gregg Allman and eventually to a phone call from Greg in which he was asked if he wanted to join the Allman Brothers band.
He candidly shared how this landmark gig damaged his hearing, causing an already existing case of Tinnitus to worsen, ultimately forcing him to leave the gig, perhaps sooner than he otherwise would have.
“There’s really no way to describe how loud it was on stage…Dickey Betts wasn’t in the PA…he was 135 dB side stage…”
As a fellow tinnitus sufferer I completely related to this portion of his talk and gained some new perspective as he explained that, despite wearing earplugs, extreme SPL’s (sound pressure levels) can still do damage, as the sound can affect your inner ear by entering your nose, mouth, and through your bones.
In response to a question about life lessons learned through music he answered, “Try not to take music for granted, it’s so special, and you can reach so many people…lyrics can encourage you, relate to your pain, but you can also do it with notes.” He demonstrated this by showing how the same group of notes can sound happy, or sad depending on where the emphasis is placed. He talked about the endless possibilities of how you can play even a single note, demonstrating this concept by playing a huge range of variances on a high “G” note.
After Jack’s talk concluded he played a short set with our Alumni House Band, the air becoming filled with the sounds of spontaneous applause after each inspired performance. Jack left shortly after his set, and the other alums in attendance continued jamming into the night. I, and everyone else in attendance would like to extend our appreciation and gratitude to Jack for sharing his music and journey on this special night!
Today I want to tell you all about an exciting monthly event I have been hosting – The Nashville Berklee Jam, and its new accessibility to everyone in the Nashville music community. The beginnings of this idea came to me a few years ago when I first attended the annual Nashville Berklee Alumni Reception. On my way home that night, I remember thinking how great it was to meet so many musicians in one night who were so passionate about their musical ambitions and so hungry for knowledge. These musical comrades were a mix of Berklee alumni residing in middle Tennessee and Berklee students who came down for the annual Nashville field trip. At this reception I made connections with other like-minded alums and students who came down on the field trip, the latter peppering me with questions about my experiences in Music City. This event was a very stimulating night as the energy of three hundred musical minds meeting and conversing seemed to create an air of camaraderie and untapped potential! Then I went home and another year passed before I got this fix again.
So this past winter I decided to create a monthly event to try to emulate this musical networking hoedown on a smaller scale, and The Nashville Berklee Jam was born. Held on the first or second Tuesday of the month from 7 PM to 11 PM at The Fillin’ Station in Kingston Springs, TN, these events start out with an informal meet and greet, followed by a Nashville music industry guest speaker, and end with an open jam. So far the reception has been very positive, here’s a recap (with links to their corresponding blogs):
February – A-list session bassist, Mike Chapman gave a great talk about being a session musician, outlining key concepts in what he calls, “the essential slices of the session player pizza”. He also jammed with several alums after the talk.
March – award-winning vocal coach, producer, and hit songwriter, Judy Rodman gave an insightful talk about career paths for vocalists. She also performed a couple of songs with the house band and then critiqued and coached several vocal performances, helping vocalists make instant improvements.
April – Stevie Ray Vaughan keyboardist, Reese Wynans shared his fascinating story about being a lifelong-career musician, the life-changing moment that came on his last night with Delbert McClinton that landed him the SRV gig, and the whirlwind years that followed. After his talk, he joined us for a few inspired performances.
May – fellow alum, musician, and author of “The Nashville Number System”, Chas Williams gave an introductory class on this subject. After the class, he charted one of alum, Sarah Tollerson’s originals and performed it with Sarah and the house band with everybody reading the chart off a dry erase board.
June – drummer, producer, and clinician, Rich Redmond gave an inspiring talk on “Navigating the Nashville Music Industry” speaking candidly about his early “lean years” in Music City and different approaches to finding success here. After his talk he sat in for a few tunes and stuck around to chat with others in attendance.
For our next event, to be held on Tuesday, July 10, I will be giving a talk that continues last month’s theme – “Navigating the Nashville Music Industry – Part Two”, during which I will explore some of the concepts I write about in my book “The Nashville Musician’s Survival Guide”. And, this just in, for our event in August we are proud to announce that the guest speaker/performer will be none other than Nashville guitar ace, Jack Pearson, formerly of the Allman Brothers, Vince Gill and many others.
All of the guest speakers have given great talks, sharing their knowledge and providing inspiration, and these talks have been interactive with many great questions and comments from alums. My band, Skinny Buddha (comprised of Berklee alumni and others from the Nashville music community) provides backline and a starting point for the laid back jams which have covered everything from originals to classic rock to blues tunes to two-chord jams. All of these events have been great friendship building and networking experiences for all involved, as well as educational. So far, the attendance has been mostly comprised of Berklee alumni, but as there seems to be a growing interest from others in Nashville, we are now officially making this event open to the Public. Nashville is a diverse and complex music community in which a Berklee alumni community also resides, and it is my goal to help these two worlds intersect and meld together.
So come on out to our next “Nashville Berklee Jam” On Tuesday, July 10. I hope to see you there!
P.S. if you have any comments, thoughts, or questions, please feel free to e-mail me at email@example.com.
Even though the majority of the people who come to Nashville for CMA week are country music fans, you didn’t have to be one to enjoy the BMI songwriter showcase-tailgate party yesterday at LP Field. This unique event was as much a foot stompin’ rock concert as it was country music show, and the crowd of 3000 plus concertgoers received a rare treat on this warm, sunny afternoon. 2011 EMI songwriter of the year, Rhett Akins, and 2011 BMI songwriter of the year, Dallas Davidson, also known as the Peach Pickers, have written some of the biggest chart-toppers in recent country music history, and collectively have more hits songs currently on the radio than any of the major artists they write for.
As professional songwriters, they sit in a room with their acoustic guitars daily, writing hundreds of songs a year to come up with a handful of radio-bound gems. These songwriting sessions, and the demo recording process that follows, are quite often the first and last times they get to perform this music. So this rare occasion to play the hits they wrote in front of a large audience was as much, if not even more of a treat to the Peach Pickers as it was to anybody in attendance.
The hour-long show was off and running with the number one hit cut by Blake Shelton, “All About Tonight”, a fitting start for this musical adventure. Rhett and Dallas took turns singing verses and choruses as we moved through what was essentially a “greatest hits” of modern country radio music, including the six number ones they’ve written in recent years. The crowd sang along throughout the show as we put our own twist on songs like Honeybee, Take a Back Road, Gimme That Girl, Put a Girl in It, Honky-Tonk Badonkadonk, This Ole’ Boy, and several others.
Near the end of the show, Rhett unexpectedly pulled out a couple of surprises, performing his own hits “That Ain’t My Truck”, and the showstopper, “Kiss My Country Ass”. At a few different points throughout the show, Rhett gave credit to the band which was comprised of Nick Forchione on drums, Mike Chapman on bass, Scott Tweten on guitar, and me on guitar and harmony vocals, the excited crowd responding with cheers of approval every time. We concluded this blockbuster set with the fitting “I Don’t Want This Night to End” a number one song which was cut by Luke Bryan and had just won video of the year the night before.
The truth is that none of us wanted this night to end, it was a special moment and the unique nature of this show will make it one of the more memorable things I have been a part of in my 10+ years working in the Nashville music industry. But the good news is that we will be taking this show on the road a little later on in the summer, performing at Michael Waddell’s annual Bone Collector fan club party on August 17 in Montgomery, Alabama. I want to send out a special thank you to all the fans that came out for this show, and everybody who put in a lot of hard work behind the scenes to make this event the huge success it was. Till next time, “it’s all about tonight”!
Click here to view some photos from the show (courtesy Kelly Normand)
For more in-depth perspective on the behind the scenes of the Nashville music industry, please check out my book “The Nashville Musician’s Survival Guide”, which features an in-depth interview with Rhett as well as many others Nashville insiders.
The latest Nashville Berklee Jam last Tuesday was a great success, thanks to all who attended! The weather was beautiful, so we had a very laid back talk outside on the patio at The Fillin’ Station, our usual location for this event. Rich Redmond, the guest speaker on this night, has worn a lot of hats during his 15 years in Nashville – session/touring drummer, producer, clinician, public speaker, and his hour-long talk gave all in attendance some great perspective into different ways to navigate the Nashville music industry.
Rich spoke of the need to aggressively market yourself to find work in Nashville and how in his earliest days he obtained work by handing out demo cds of his drumming abilities to almost everyone he would meet around town. He candidly talked about those ‘lean years’, and that long before he was recording on hit records, touring the world with Jason Aldean, and producing acts like ‘Thompson Square’, he was hustling gigs on Broadway, playing in corporate party bands – whatever was necessary to insure survival.
For those who are just starting out in Nashville, he recommended that musicians “take every gig that’s offered”, as every new gig can potentially lead to new relationships and different career opportunities and that “If you give more to people then they expect, if you consistently exceed expectations, people are going to want to work with you.”
He spoke of the need to be ultra-professional by “always returning phone calls in a timely manner, always returning e-mails in a timely manner, being professional, being flexible, having the right gear to do the job and never mailing in a performance…”
Regarding the importance of reputation he said “You can have a great website, you can Tweet 1000 times a day, you can have a fantastic business card that’s got the really good paper, you know the really firm stuff that you have to pay extra for, and it’s still going to come down to word-of-mouth. In this [digital] age it’s so easy to be talked about in a positive or negative way, globally.”
During one part of the talk he mentioned a concept he refers to as “CRASH” a phrase he coined that stands for Commitment, Relationships, Attitude, Skill and Hunger – the five key ingredients he believes are necessary to succeed. He also spoke of the importance of defining your own success, a concept I talk about in my book “The Nashville Musician’s Survival Guide” (coincidentally, Rich contributed to the writing of this book).
After fielding several questions, he finished his talk and we all headed inside to make some music. Everyone who wanted to jam got a chance to sit in, and several great performances took place – ranging from classic rock covers to blues jams to originals. Rich stayed till the end making himself accessible to anyone who wanted to hang and chat, and during the middle of the jam he got behind the drum kit and played a few songs with me and several other alums. Here’s an MP3 of us playing a spirited version of the Jimi Hendrix classic, ‘Little Wing’ Little Wing Berklee Jam w Rich Redmond low. The night ended and we all headed home, but not until gathering for a group photo.
I want to thank everybody who came out and participated to make this another great event, see you at the next one! The next Nashville Berklee Jam will be held on Tuesday, July 10 – check back in a few days for info on the guest speaker for that night.
I hope everybody is having a great winter so far and that 2012 will be a great year for us all. February is looking to be a busy month for me and I would like to tell you about some of these gigs and events.
Thursday, February 2nd I’ll be playing a benefit show for “My Friend’s House”, a group home for boys in Williamson County, TN. The benefit will be at Mickey Roos in Franklin starting at 7 PM and will feature a ton of great Nashville talent. One of the organizers of the event, Keith Landry (currently of the band Leroux, (former credits including harmony singing for Toto and Lee Greenwood) will be fronting a set of classic rock ‘n roll and coordinating the guest musicians. Some of the music we will be covering will be songs from Journey, the Doobie Brothers, Toto, Van Halen, and others. This just might be the most rock music I will have played in one night since moving to Nashville! It’s a great cause, so come on out!
Tuesday, February 7th will be the first ever “Nashville Berklee Jam”, featuring special guest, Nashville session bassist and former “G-man” Mike Chapman. This is something I have been working on for quite some time, and will take place on the first Tuesday of each month at The Fillin’ Station in Kingston Springs, TN.
Friday, February 10th I’ll be playing a gig with Nashville songwriter and artist, Carl Wayne Meekins at the world famous Puckett’s Grocery in Leiper’s Fork, TN. Carl is a fabulous performer and a great guy and I have been fortunate to do several gigs with him over the last several months. The band on this night will feature some top-notch Nashville session players, so come on out and support some great live music!
Saturday, February 11th will be my monthly outing at The Fillin’ Station in Kingston Springs, TN. The lineup on this show will be Heston Alley on drums, Tom Good on bass, and yours truly on vocals and guitar. Patrick will be behind the bar and guesting on harmonica throughout the night. Come get your blues rock fix with us!
Towards the end of February I will be playing with upcoming Nashville artist and South African native, Mirka at Nashville’s 3rd and Lindsley. Our set of original material will be part of a monthly showcase hosted by Nashville producer and guitarist, Kent Wells. The date hasn’t been set yet, I’ll let you know as soon as it is.
My book, “The Nashville Musician’s Survival Guide” received a great review on the popular Nashville blog “Music News Nashville”, follow the link above to check it out. I also submitted the book to The Country Music Hall Of Fame and there’s a good chance they will start carrying it this spring!
And completely unrelated to music, I have decided to enter in an annual event called the Warrior Dash that will take place in middle Tennessee on September 22nd. This is essentially an off-road 5K race integrated with an obstacle course that includes things like climbing a rope wall, jumping over a fire pit, crawling under barbed wire through the mud, etc. I may or may not be in the shape I need to be for this event at the moment, but the goal is to be in good enough shape to kick some serious ass on this course come September! Similar events take place all over the country and you can learn more about it on the website above. Anybody out there want to take the challenge?
So that’s about it, I’m excited about the possibilities that this New Year might bring and looking forward to making new friends and playing some great music!
P.S. If you haven’t yet picked up a copy of my book, “The Nashville Musician’s Survival Guide”, you owe it to yourself to check it out! Available in hard copy and ePub.
When we first began planning our New England visit, sometime late last year, I had the idea to put together a special reunion show, one at which we could reconnect with our dearest friends and musician buddies from days gone past. My initial thought was to throw together a band of players from my New England nightclub days, have a few guests sit in, and that a few of our old friends might turn up too. To my delight, all that happened, and then some.
Sometime around February I began putting this all together. The first thing I had to do was pick a place. Hmmm, early August in New England? What better place to do this sort of thing than Hampton Beach! And why not pick a venue in which I used to perform regularly back in my New England heyday, Wally’s Pub, which turned out turned to be the perfect spot. I would need a core band of players, so I contacted drummer, John Medeiros; and bassist, Keith Foley; both whom I once played with in my old band, Electric Blue. I wanted to have another guitar player involved as well, so I called up my friend, and former guitar student, Charles Cormier, who was a junior in high school when I left New England. Charles now plays with the seacoast jam band “Superfrog” from which I also recruited percussionist, Adams Viciguerra.
Once I had the place and the players, it was time to invite some special guests, and I began putting out some feelers months in advance. Putting together a reunion show from afar takes a lot of work, and I spent a lot of time e-mailing, talking on the phone, and sending mp3’s across cyberspace. It was all well worth the effort. On a warm Sunday afternoon a few days before the show, we had one rehearsal with the core band and, thanks to everyone doing their homework, things came together pretty quickly.
So Wednesday finally arrived, and the band guys arrived around 5:00 PM to set up and sound check. Our five piece ensemble was joined by, Jeff Bissonnette, a sound engineer that I knew from the “Jet City era”. We got everything dialed in and then our friends and guests began to trickle in. I hired a local videographer, Mike Maleszyk, to document the evening and he showed up about an hour before the show with one of his cohorts and three video cameras. A lot of friends that Kelly and I hadn’t seen in ages started arriving and I did my best to make some rounds before showtime. Some of these friends I hadn’t even seen since high school, some 25 years ago. There were so many people I wanted to talk to but so little time.
Eight o’clock came around and it was time to get down and boogie. “The Eric Normand and Friends Band” felt good right off the bat and I was excited about the vibe we were putting forth. Despite the fact that I hadn’t played with any of these guys in a decade, and most of the players had never played together before, the group had a real synergy and maturity, almost as if we had been playing together for years. We played an hour-long set of my favorite tunes, blues-rock music born of another era. Songs by Freddy King, Delbert McClinton, Jimi Hendrix, and the Allman Brothers, got a good dance floor going by mid-set. A couple of high points came during our rendition of the classic “Sweet Melissa” and an extended version of “Little Wing”, the former turning out to be a particularly proud moment for me when Charles took a beautiful and emotive solo. This all crescendoed with the set’s climax of “Black Magic Woman”, complete with full blown Santana-style percussion and an extended outro jam that nobody wanted to end.
We took a break and I made a few rounds, trying to catch up with as many of my friends and musician buddies as I could. I didn’t get to talk to everybody (not for lack of trying) and I wish I could have had more time. It was time to kick off the second half of the night, and this began with a couple of songs with the core band plus friend and former Electric Blue member, Tom Martin sitting in on bass. Next would come a “Jupiter’s Ghost” reunion, and this was comprised of Doug Hinton on drums, Mark Gagnon on bass, Keith Bowen on vocals, and me on guitar. We played two songs in what felt like a literal time machine, a packed dance floor from the get-go. Keith stepped down and Brandon LePere joined us on vocals for the next onslaught. Once again it was “Sherman set the way-back machine”, and when I looked across the stage it felt like 1995 again. Once upon a time a lifetime ago, four guys had a little rock band called “Shockwave”, and we played, and played, and played. We went through a lot together, and many great memories and feelings came rushing back during this part of the night.
Next it was time for one last reunion grouping and the crowd heard the announcement “Will Stan Jackson and George Bisson please come to the stage”. Yes, that’s right a partial “Jet City” reunion was about to unfold. A little “Alice in Chains” followed by some “Bad Company” kept the dance floor hopping. Sadly, the night was drawing to a close, and I had the core band return for one final number, “Whipping Post”.
Have you ever experienced a moment in time that was so full of positive energy and wonderment that you hoped it would never end? An experience so pure and magical that you wish you could just live inside of that moment for eternity? For me, and maybe a few others on this particular night, this was one such moment. Life is whizzing by, and the perception of time seems to be changing, literally speeding up exponentially. This fact has recently clarified some things for me. Friends and family are of the best things in life, and to me, friends are family. The times we spend together make us who we are, and on this trip, reconnecting with the friends of our past was a powerful experience. So many people made this special night happen. People drove from as far away as Brattleboro, Vermont and Portland, Maine; Stan Jackson drove all the way up from Cape Cod to participate in this night. Thanks everybody for making it all come together!
The night did have to end, but the memories we made will last a lifetime. And besides, I don’t see any reason we can’t make this an annual event. Meanwhile, Kelly and I have adopted a new theme song, one from which I would like to appropriately quote for the end of this writing –
“Meanwhile I, ain’t wastin’ time no more,
Cause time goes by like hurricanes, and much faster things,
Don’t forget the pouring rain.”
I would like to send out a special thanks to Mike Maleszyk, Catherine Fraser-Dery, Athena Erickson, and Curt Comeau for the use of these photos.
It’s now Saturday morning and we’re in Waukegan, Illinois, just north of Chicago, and back on the Rhett Akins tour. It’s early, I’m the only one up, and the view out the bus window is not unlike many I’ve seen before – a hotel, a highway, and some retail. Several Canadian geese are foraging for their breakfast on a big plane of grass in front of the hotel. I can’t believe that this trip is almost over; it went by at warp speed!
We had been planning our trip to New England since last fall, with my 25th high school reunion tugging at me to return to my homeland for a brief visit. And even though it ended up turning into a working vacation, with several workshops and book signings taking up much of our time, it ended up being one of the most soul-enriching vacations Kelly and I have ever had. It had been seven years since our last trip home, way too long, and although we had often talked about how much we missed everybody, we didn’t realize just how much until we got there.
We set out Monday morning and did the 1240 mile drive over two days, sleeping overnight in a hotel in Pennsylvania. Although the trip was long, our excitement grew as we neared the northeastern states. We spent the first few days of our New England visit in southern Maine, first at Kelly’s sister’s house in Kennebunk, and then at one of our friends homes in Portland. Crammed into the middle of a couple of hectic days centered around music store clinics and a local TV interview, were family reunions, a breakfast with friends, and a wonderful walk on Kennebunk beach on a warm summer day. Some friends hosted a special jam night for me in Dover, NH and it was great to reconnect with old friends there as well.
By the time the weekend rolled around it was time for my high school reunion. It was great to see so many of my old classmates – I can’t believe it’s been 25 years; ‘Father Time’ is so mean! After the reunion we stopped In to Wally’s on Hampton Beach, a club I had played frequently in the late 90s and the place we would be having our reunion show a couple of days later. Living in Tennessee we are a bit landlocked, and we basked in the salty night air of the ocean-side resort town, something we likely took for granted just a few years ago.
Sunday afternoon would bring another reunion of sorts, this one in the form of a rehearsal in my hometown of Kingston, NH with some old band mates. Members of my old band, Electric Blue, plus one of my former guitar students and one of his friends would comprise the core band for the Wally’s reunion show. We rehearsed in a garage belonging to one of my oldest friends, a place in which I used to rehearse with many of my first bands many years ago. The rehearsal went great and was followed by another family reunion, this one at my parent’s house, the place where I grew up right down the street.
On this night I slept in my old bedroom, it kind of made me feel like a kid again. I woke up real early Monday morning and just lied in bed for a while, reflecting on the amazing journey I have had in the years since I left this place. It was 6 AM, just before sunrise, and the house was quiet, my folks still asleep, and I’m not sure why, but I suddenly had the urge to set out on foot and visit the places of my youth.
I walked out the front door, around the side of our barn, and cut through the neighbor’s yard. I walked past the old cemetery and out onto Main Street, following the beautiful plains past the bandstand, the town hall, the general store, and the library. I came to my old high school “Sanborn Regional”, and just stood there for a moment, transfixed by the memories that came flooding back. I walked through the school grounds, and experienced several moments of déjà vu, remembering different pinpoints in time from decades ago. Coming out of the backside of the high school, I walked down to Greenwood Lake, a place where I used to go fishing as a boy, and parking as a teenager. I walked another mile or so down to Kingston State Park and sat on the shore for a few before visiting the place where Kelly and I got married – a beautiful little spot on the shore of Kingston Lake on the backside of the park. I walked up the trail that comes up behind Clark’s Oil and received a few mosquito bites along the way. Back out onto Main Street, I walked past the old Sadowski residence, the place where the sounds of Jimi Hendrix blaring out a bedroom window on a warm summer day long ago inspired me to take up the electric guitar.
After spending a great day with my family I was off to Hampton for another clinic, after which I went to bed early, exhausted as the pace of this trip was starting to catch up with me. We took it easy on Tuesday, trying to have a few still moments to catch our breath at a friend’s house in Hampton. The trip had been great so far, seeing so many friends and family members in such a short period of time, but our heads were literally spinning as a result of the hectic schedule we were keeping. Wednesday morning we managed to squeak in one more walk on a beautiful private beach just north of Hampton Beach, reminiscing about the trip.
We had one last thing to do before this exciting trip would come to an end, and that was the reunion show at Wally’s. This night turned out to be such an exciting, action-packed adventure in and of itself that it deserves its own story, one that I’ll post a little later. But as far as this brief nine-day stay, it was truly awesome! Kelly and I have relished every moment of our Nashville journey, we wouldn’t be who we are today if we had not embarked on it. We have met and become friends with many wonderful people in middle Tennessee, and other parts of the country as well. But reconnecting with our friends and family in New England was an emotional and powerful experience; you all have a special place in our hearts and we miss you already. See y’all next year!
We’ve done a handful of shows with Georgia native, Corey Smith over the years, and Saturday’s performance at the packed Verizon Wireless Amphitheater in Alpharetta, Georgia was another blockbuster. It was a warm summer day when we pulled into the backstage area just after noon, although not quite as over-the-top as the heat and humidity we’ve been experiencing in Nashville this summer. Who would have thought that we would have to travel further south to experience a cooler day! We loaded in and sound checked just after 2 PM and then chilled for a couple of hours while we waited for showtime.
A little while later it was catering, showers, and a quick changeover after opener, Rachel Farley’s set. We hit the stage hard and fast at 7:45, the crowd quickly showing some love for Rhett and band. 40 minutes later, after blazing through a mixture of Rhett’s classic hits and some of his newer charttoppers, and we were putting the final touches on our closer, Kiss My Country Ass, the crowd now on its feet and singing along. The stagehands helped us strike our gear, and it was packed up under the bus in minutes. The guys hung out by the bus enjoying a few cold ones while Corey finished out the night.
Over the years I’ve played many amphitheaters and concert halls across the land, and the Verizon Wireless Amphitheater in Alpharetta is perhaps one of the nicest of them all. Kelly took some great photos throughout the day and during the show. Here’s a few to give you a taste. (Nashville photographer, Dan Harr, also photographed the night and was kind enough to donate some photos, a few of which are also shown below. Dan’s photos are credited accordingly). Left click on a photo to view it full size:
I can’t tell you how excited we are to be finally about to embark on our first trip to our native homeland of New England in seven years. I’m sorry we haven’t gotten back sooner, it’s not because we haven’t wanted to, it just seems that whenever we’ve had the time we didn’t have the money (we call this Nashville winter), and when we’ve had the money, we didn’t have the time (Nashville summer). So this year, with my 25th high school reunion taking place at the end of July, we decided this was the perfect excuse we needed to block out a week in the middle of the summer and pay our old friends a visit.
Somewhere in the middle of planning this trip I got the idea to do a clinic at “The Music Workshop,” a music store in Salem, NH that I used to frequent in my younger days. My idea was that this would be a great way to share some of my Nashville experiences with my peers in New England, while, of course, promoting my new book “The Nashville Musician’s Survival Guide.” I’m not sure how this happened, but before I knew it, I was booked at four different workshops throughout New England (some of you may have noticed my recent series of Facebook event invitations). With all this activity evolving I thought it would be cool to throw in a special show with some of my musical comrades from back in the day, and this has led to the Eric Normand and Friends Reunion Concert at Wally’s Pub on Hampton Beach, on Wednesday, August 3rd at 8:00 PM.
There is a complete listing of all these workshops and events with addresses and weblinks on the new events page of my survival guide website. Here is the longhand version plus some info that’s not on the website:
During this workshop I will talk about what it has been like to work as a “hired gun” in the Nashville music scene, what it’s like to work on a national level tour, and some of the key differences and similarities between being a working musician in New England versus Nashville. There will also be a “Nashville guitar rig and style demonstration” and question and answer period followed by a book signing immediately afterwards.
Jam at the Station House in Dover
After the workshop, (which is free to the public) I will be attending a jam at The Station House Restaurant and Pub right down the street. The Station House usually has a jam on Thursdays, but when I contacted my old friend, Rick Landry, inquiring about any area jams on Wednesdays, he decided to put together this special jam just for this occasion, and I must say that I am quite honored. This jam will serve to be a kind of after party for the workshop and should be a great chance to catch up with some old friends and share a little music. Thanks Rick!
This workshop will be like the one in Dover, only in Portland (also a free event). Before our move to Nashville in 2002, Kelly and I lived in Kennebunk, Maine, and at that time I played many shows throughout southern Maine with my band, Electric Blue. One highpoint during that period was our regular Sunday night jams at Chancery Lane in Sanford, ME, a truly magical musical moment that occurred weekly, and one that gave birth to many friendships and even a couple of bands. We hope to see some familiar faces in Portland on this night.
This multifaceted workshop will be a little different than the previous two, and while I will share some of my Nashville experiences here as well, I will also spend some time talking about some practical aspects about being a lifelong musician. The second half of this clinic will be an “interactive rhythm section workshop,” during which students will have the option to explore some fundamental basics of rhythm section performance with me and Music Makers instructors, Mark Davenport and Tom Martin. Music Maker’s is a seacoast area music school that offers private lessons on a wide range of instruments and the place in which I first began teaching guitar in the mid-90s. I’m excited to be returning to share some of what I have learned since that time with their next generation of students. This event is open to the public: cost: $20 per person – $15 for current Music Maker’s students.
Jam night at Whippersnappers in Londonderry, NH
After the workshop, we are planning on attending the Monday night jam at Whippersnappers in Londonderry, NH, hosted by Gardner Berry of Mama Kicks. I used to jam with Gardner and other members of Mama Kicks back in the late 80’s/early 90’s when he hosted a Sunday night jam at Classics in Manchester, one of my first jam night experiences. Should be a lot of fun so come on out!
This will be the final workshop of this trip and similar to my clinics in Dover and Portland the week before. Salem used to be a big part of my stomping grounds back in the day and I used to frequent the Music Workshop regularly, constantly “experimenting” with new music gear, occasionally buying some. I also used to perform regularly at the old LJ’s in the Rockingham Mall, remember that place?
Blues Jam at the Roma in Haverhill, MA
After this workshop we are planning on attending a blues jam at The Roma in Haverhill, MA. My good friend and drummer extraordinaire, John Medeiros is part of the host band at this jam (John is also a former member of Electric Blue and will be part of my core band at Wally’s on the third.)
Wednesday, August 3, 8:00 PM – 11:00 PM
Eric Normand and Friends Reunion Concert
Wally’s Pub, Hampton, NH
This will be the last stop of our New England book tour/vacation and a very special night of music and reconnecting with old friends. It’s been seven years since we last set foot on Hampton Beach, and more than ten since I last performed their regularly. When we first started planning this trip I had the idea about doing a reunion concert of sorts and I called up and presented the idea to my old friend, Kenny Gaudet from The Bars, who fast became instrumental in making this happen. The first set will consist of me on vocals and guitar, John Medeiros on drums, Keith Foley on bass, and some friends from seacoast area jam band, Superfrog – Charles Cormier on guitar and Adam Vinciguerra on percussion. A little later into the night there will be a brief reunion of my old band “Shockwave” with Doug Hinton on drums, Mark Gagnon on bass, and Keith Bowen on vocals (also possibly Brandon Lepere). Other guests will include Kenny Gaudet, Devin Cordero from Last Laugh, and possibly a partial “Jet City” reunion.
This night will mark the end of our week in New England and we are really looking forward to reconnecting with so many of our old friends and musician buddies. We are hoping to make this reunion concert an annual event, so if you like this idea at all, please come out and show some support. And for anyone who is interested in purchasing my new book, this will be your last chance before we head out of town, so if you have it in your heart to help us out with a little gas money for the ride home, pick one up, they’re only $20.
While we will be leaving Thursday morning to rejoin the Rhett Akins tour for shows in Ohio and Chicago, we will be back, and next time we won’t wait seven years! In the meantime, go ahead and make some plans to come out to the Wally’s show and a workshop or two, we would love to see you all again! See y’all real soon!
Even though summer hadn’t yet officially started, it sure felt like it when we pulled into Ridge Ferry Park in Rome, Georgia last Saturday to play at the fifth annual ‘Rome River Jam.’ It was just before noon and the temperature was already approaching 95°, the air thick with humidity. Yes, it was “fixin’ to be a hot one” as we would say in these parts, and that would be okay for this multiband festival.
We parked our bus in the fenced-off backstage area next to headliner, Darius Rucker‘s three buses and I stepped out to meet the stage manager and check out the grounds. With five acts on this bill there would be no sound check for us on this day, just a line check and monitor check immediately prior to our set – what is commonly referred to in the touring industry as “throw and go.” Still, there was work to be done so I got busy.
Under my direction, the stagehands loaded in our gear to one of the “sound wings” adjacent to the main stage, and our merch to the merchandise tent. I went on a mission to commandeer our “bus stock,” which, upon its arrival a short while later, was quickly devoured by our band and crew for lunch. After icing down some beverages on the bus for later, I had a runner take us over to the hotel for showers and a brief rest before our late afternoon performance.
Typically, I use this down time to check and respond to e-mails, return phone calls, and maybe squeeze in a quick nap before showering and returning to the venue. On this day, however, I did something I rarely do in hotel rooms on the road – I watched TV. Upon turning on the TV, the reality show “Pawn Stars” happened to be airing, so I gave it a chance. I would probably blow right by a show like this if scrolling through the channels at home, but for some reason, I found myself drawn in. The show was actually quite interesting, and at points, funny as hell.
A little while later we were all back at the concert site, and the first artist, Sam Hunt, was performing his set as the Park began to fill up. We began to hear about some inclement weather possibly moving in, the worst of it predicted to hit around 5:00 PM, which of course happened to be right smack in the middle of the set change prior to our performance. The local band playing just prior to our set, “Kneckdown” (which incidentally featured the events promoter, Jay Schell, on lead vocals), finished at about 4:45 and we began our set up. About 15 minutes later, almost as if on cue, the weather began to turn nasty. The wind picked up, the rain began to come down, and a portion of the crowd that had already grown to around 2500 ran for cover.
Fortunately, our stage had a pretty solid roof that extended past the edges of the stage, and this kept us and the gear dry, but it was still a frightening storm. The storm was packing wind gusts of up to 50 mph and was also accompanied by intense lightning, which was visible from the stage. I learned later that a tree fell on the adjacent property, seriously injuring two people who had to be rushed to the hospital. Resisting pressure from the stage manager and production company owner to start our set, we waited until the lightning had completely stopped to kick it off.
A few stressful minutes later the storm had passed, and the air seemed quite a bit cooler as we were now on the backside of a front that had moved through. After a brief introduction from the local DJ we were off and running. Despite the rocky changeover, we were off to a good start, and the crowd quickly piled back into the main area in front of the stage. Rhett was in a good mood, the band was playing great, and the fans got right into it. By the peak of our set the crowd had swelled to around 4000, many whom were singing along with some of Rhett’s latest songwriting successes, one of which was “Honeybee,” Blake Shelton‘s recent number one smash. We ended our 70 minute set with the anthem “Kiss My Country Ass,” and the crowd roared with approval.
One of the cool things about playing festivals is the interaction between musicians and crew members from different tours. On this day I met Andrew, the merchandise person for country artist, David Nail; and Patrick, the fiddle player for Darius Rucker. Scott, our other guitarist, got to meet Darius and have a photo taken with him. Another cool thing about playing festivals is getting to hear these other artists and bands, and on this day, all the bands played great! It was a great concert, fun was had by all, and we got real lucky that the nasty storm didn’t end the day early for everybody. See you next time Rome!
I would like to thank local photographer, Andy Butler, for donating the use of these pictures. – Butler Photo/Cartersville Ga